Too Little, Too Late, Narcissus! Ausonius, fragment 99

Name:  Ausonius Date:  4th century CE Region:  Aquitania, Gaul [modern France] Citation:    Epigram 99

In this poem, Narcissus is coded as an asexual youth instead of gay:  Narcissus, if you wanted to date someone, You would have been successful. But now that you’re abounding in love There’s no one to reciprocate.

Si cuperes alium, posses, Narcisse, potiri. Nunc tibi amoris adest copia, fructus abest.

 

M/M: Gone, but not forgotten: John Tzetzes Analyzes the Deaths of Hyacinthus & Narcissus, Hist. 1.11

Hyacinthus and Narcissus, United in Purpose

Name: John Tzetzes Date:   1100 – 1180 CE Region:    Constantinople [modern Istanbul, Turkey] Citation:     Histories / Chiliades 1.241 – 265

There are countless tales of abduction and transformation in Greco-Roman mythology. Although modern readers see these myths as cautionary tales against predatory behavior, their

primary purpose in the ancient world was an attempt to alleviate grief after the loss of a loved one.  Young people who died before reaching societal milestones of adulthood would be euphemistically married to divinities as a way of handling the grief of their lost potential. There are countless references to young people being “snatched by the nymphs,” or becoming “brides” of Persephone or Hades. In this passage, the Byzantine author John Tzetzes explains how the transformations of Narcissus and Hyacinthus were used to help alleviate the grief of their loved ones.

Hyacinthus was the attractive brother of Cynortus.

He was the son of Amyclus and Diomeda,

From Lacon, the noble land of the Amyclean clan.

Both Apollo and Zephyr often competed for the youth’s affection.

And—they say—once, while Apollo and Hyacinthus were practicing the discus,

Zephyr sent a violent wind, and changed the course of the discus.

It struck the beautiful youth in the head and killed him.

The Earth created a flower in memory of the youth, taking his name,

Mourning his beauty the same way she mourned Narcissus.

But the allegory of Narcissus is apparent:

When the youth fell into the water, he drowned.

As a consolation for their grief,

Those who praised the youth’s beauty

Said he fell in the water, struck by longing for his own beauty.  

Famous transformation tales of plants, of trees of all kinds,

And of constellation myths are similar to this.

The kin of the deceased, transforming their loss,

Name these things after their lost kin.

Just as I’ve stated, they say that the rivals of Hyacinthus [Apollo and Zephyr]

Reveal the extreme beauty of the youth,

Since the Sun reveled in the delight of Hyacinthus,

And the Wind itself also vied for his affection.

When the youth was killed while training with a discus,

They made up a story that the Wind, jealous of the Sun,

Took Hyacinthus away from his life—and from the Sun.  

Hyacinthus and Narcissus, United in Purpose

Ὑάκινθος Κυνόρτου μὲν ἦν ἀδελφὸς ὡραῖος Ὑἱὸς Ἀμύκλου δὲ πατρός, μητρὸς τῆς Διομήδης Ἐκ γῆς ἀνδρῶν τῶν εὐγενῶν Λακώνων Ἀμυκλαίων. Ἀπόλλων δὲ καὶ Ζέφυρος τοῦ μείρακος ἀντήρων. Καὶ δή ποτε δισκεύοντος Ἀπόλλωνος σὺν τούτῳ, Λάβρον πνεύσας ὁ Ζέφυρος τὸν δίσκον περιτρέπει. Τῇ κορυφῇ δὲ τὸν καλὸν πλήξας ἀνεῖλε νέον,

Hyacinthus Cynorti quidem erat frater venustus. Filius Amycli autem patris, matris Diomedae, ex terra virorum nobilium Laconum Amycleensium. Apollo vero et Zephyrus adolescentem certatim deperibant et sane olim disco ludente Apolline cum hoc Vehementer cum efflasset zephyrus, discum circumvertit. Vertice autem pulchrum cum percussisset, occidit iuvenem.

Ἡ γῆ δ ̓ ἄνθος ὁμώνυμον ἀντέδωκε τοῦ νέου, Καθάπερ καὶ τὸν Νάρκισσον οἰκτείρασα τοῦ κάλλους. Ἀλλ’ ἡ Ναρκίσσου πρόδηλός ἐστιν ἀλληγορία, Ὅτι πεσὼν ἐν ὕδασιν ὁ νέος ἀπεπνίγη. Τὸ κάλλος δ ̓ ὑπεραίροντες, πένθους παρηγορία, Φασὶ πεσεῖν ἐν ὕδασι σκιᾶς αὐτοῦ τῷ πόθῳ. Τὸ τῶν φυτῶν δὲ πρόδηλον, ὡς καὶ τῶν δένδρων πάντων Καὶ τῶν ἀστέρων σὺν αὐτοῖς καὶ τῶν ὁμοιοτρόπων. Τῶν γὰρ θνησκόντων ἀγχιστεῖς, τρέφοντες πόθον τούτων, Ἐκεῖνα κατωνόμαζον εἰς κλήσεις τὰς ἐκείνων. Τοῦ ̔Υακίνθου δέ φασιν ἀντεραστὰς οὓς ἔφην Δεικνύντες, ὑπεραίροντες τοῦ νέου τὸ ὡραῖον Ὡς ἔχαιρεν ὁ ἥλιος τρεπόμενος τῷ νέῳ, Καὶ τῶν ἀνέμων αἱ πνοαὶ θέλγητρον εἶχον τοῦτον. Ὡς δὲ σὺν μείρακί τινι δισκεύων ἀνηρέθη

Terra autem florem eiusdem nominis reddidit pro iuvene, quasi Narcissum miserata ob pulchritudinem. Sed narcissi clara est allegoria. Quia cum cecidisset in aquas iuvenis, praefocatus est. Pulchritudinem vero extollentes, luctus solatio. Dicunt cecidisse in aquas, umbrae suae desiderio. Plantarum autem fictio clara, sicut et arborum omnium, et stellarum cum ipsis atque istiusmodi. Morientium enim affines, nutrientes desiderium horum, ista nominarunt nominibus illorum. Hyacinthi autem dicunt rivales, quos dixi, ostendentes excellentem iuvenis venustatem, quod gavisus sit Sol, oblectatus iuvene: et ventorum flatus pro deliciis habuerint hunc. Ut vero cum iuvene aliquo disco ludens interfectus est,

Ἔπλασαν ὡς ὁ Ζέφυρος βασκαίνων τῷ Ηλίῳ Ἐξάγει τοῦτον τῆς ζωῆς καὶ τοῦ λαμπρου φωσφόρου.

vento subvertente in verticem discum, finxerunt quod Zephyrus invidens Soli educit hunc e vita, atque e splendido lucifero.  Translated into Latin by Paolo Lazise

John Tzetzes [1100 – 1180 CE, Constantinople/Byzantium, modern Istanbul, Turkey] was a Byzantine scholar and beaurocrat. He is known for his epic poem the Histories / Chiliades, which ties together topics from Greek and Roman history and mythology, followed by a Christian interpretation.

M/M: The Watery End of Narcissus, Johannes Tzetzes, Historiarum 1.235ff

Name: John Tzetzes Date:   1100 – 1180 CE Region:    Constantinople [modern Istanbul, Turkey] Citation:     Histories / Chiliades 1.235ff

Narcissus

Narcissus, a Laconian hunter, was a lover of beauty.

One time during the summer, when he was thirsty after a long day’s hunt

He knelt by a spring, saw his own beauty,

Fell in love with his own shadow, believing it was another man.

He tried to embrace him, but only caught a watery demise.  

De Narcisso

Narcissus, Lacon venator, amator venustatis erat

in Hora aestiva autem olim cum situisset, post venationem,

ut incurvatur ad fontem, vidit se speciosum,

amat umbram suam, ut alterius iuvenis.

cupiens autem hanc apprehendere, humidam haurit mortem.

[Greek text forthcoming]

 Translated into Latin by Paulus Lacisius (1546) 

 

John Tzetzes [1100 – 1180 CE, Constantinople/Byzantium, modern Istanbul, Turkey] was a Byzantine scholar and beaurocrat. He is known for his epic poem the Histories / Chiliades, which ties together topics from Greek and Roman history and mythology, followed by a Christian interpretation.

Poems from the Codex Salmasianus on Narcissus

Asexuality in men was often portrayed negatively in Greco-Roman myth, as Greek and Roman men were expected to marry and continue their family line. Just as Hippolytus' rejection of Aphrodite / Venus / physical love was punished, so too is Narcissus punished for his rejection of Echo. Narcissus is often coded asexual by various authors, as he rejects all men and women suitors (not just Echo). His 'love of himself' is a symbolic rejection of romantic and physical love.

Se Narcissus amat captus lenonibus undis.

Cui si tollis aquas, non est ubi saeviat ignis.

Captivated by the still waters, Narcissus fell in love with himself.

But if you removed the water, he wouldn’t be burning with love.

--Codex Salmasianus 219

 

Invenit proprios mediis in fontibus ignes

Et sua deceptum urit imago virum.

[Narcissus] found fire in the midst of water

And his own reflection burns for a deceived lover.

--Codex Salmasianus 145

 

Ardet amore sui flagrans Narcissus in undis,

Cum modo perspicua se specualtur aqua.

As he catches sight of himself in the clear water,

Narcissus burns for love of himself.

--Codex Salmasianus 146

 

Dum putat esse parem vitreis Narcissus in undis,

Solus amore perit, dum putat esse parem.

Narcissus thought he’d found his match

In the still pool

But he died, lovesick, alone

For he thought he’d found his match.

--Codex Salmasianus 39

 

 

Marco Antonio Tritonio: A List of the Chaste

Chaste / Celibate / Asexual:

Anaxarete

Arethusa

Daphne

Eperie

Hippolytus

Lotos

Musae

Narcissus

Syrinx

Many people preserve their chastity, and we can easily list a bunch from literature, but these are a few examples that are relevant to everyone:

ANAXARETE: was a maiden from Cyprus who was never worn down by her suitor Iphis’* begging to court her [cf. Ovid’s Metamorphoses, book 14, story 17]

ARETHUSA: was a nymph and companion of Diana who valued her chastity so much that turned into a spring when the river god Alpheus tried to attack her [book 8, story 17] 

DAPHNE: was the daughter of the river god Peneus and object of Apollo’s desire who valued her chastity so much that she would rather turn into a laurel tree instead of being courted by him [book 1, story 9]

EPERIE was one of the nymphs who died of a snake bite while running away from Aesacus’ attack [book 2, story 2]

HIPPOLYTUS: was the son of Theseus. When he was desired by his stepmother Phaedra, he was never worn down by her prayers to court him [book 17, story 45] 

LOTOS: was a nymph who was turned into a tree to preserve her chastity while fleeing Priapus’ attack [book 9, story 6]

THE MUSES were so chaste that when they were imprisoned and anticipated being attacked by Pyreneus, they turned into birds and flew away. They would rather lose their original form than give up their chastity [book 5, story 4]

NARCISSUS: of course Narcissus is listed here, since he was never swayed by Echo’s attempts to date him [book 3, story 5]

SYRINX: of course we have to list Syrinx, who transformed herself into a reed when she was escaping the god Pan’s attack [book 1, story 12] 

* Iphis was a common first name. This is not the same Iphis in the myth of Iphis & Ianthe

-- --M. Antonii Tritonii Utinenis, Mythologia, 1560 p. 15-16

CASTI

• Anaxarete
• Arethusa
• Daphne
• Eperie
• Hippolytus
• Lotos
• Musae
• Narcissus
• Syrinx

Castitatem plurimi semper faciendam & si ex historiis facile colligere possumus, id tamen ex iis etiam, quae afferemus exemplis unicuique patebit.

ANAXARETE Cypria virgo Iphidis amantis precibus ad lasciviam nunquam potuit adduci [lib xiiii.fab.xvii]

ARETHUSA nympha Dianae comes tanta fuit castitate, ut cum illam Alpheus fluvius vehementius persequeretur, in fontem abire non recusarit. [lib.viii.fab.xvii]

DAPHNE Penei fluvii filia tanta fuit castitate, ut ab Apolline amata in laurum potius converti, quam illum voluerit audire [lib.i.fab.ix]

EPERIE una & ipsa ex nymphis, ne ab insequenti raperetur Aesaco, inter currendum serpentis ictu interiit. [lib.ii.fab.ii]

HIPPOLYTUS THesei filius cum a Phaedra noverca adamaretur, nullis precibus adduci potuis, ut ei congrederetur. [lib.xviii.fab.xlv.]

LOTOS nympha Priapi fugiens vim, ne castitatem ammitteret suam, in arborem versa est. [lib.ix.fab.vi]

TAM castae fuerunt Musae, ut cum sibi a Pyreneo, qui Daulida Phocis urbem incolebat, vim sensissent inferri, iamque in thalamo stuprandae clausae forent, in volucres commutatae sumptis aliis effugerint, sicque pristinam potius formam, quam castam voluntatem noluerunt commutare. [lib.v.fab.iiii]

NARCISSUS etiam inter castos merito est numerando, cu mEcho nymphae illecebris commoveri nunquam potuerit. [lib. iii.fab.v]

NEC minus Syrinx castissima praedicatur, quae ut Pana Deum amantem fugeret, in arundinem se transformari postulavit. [lib.i.fab.xii]

A List of Those Who Boldly Rejected Romantic Love: M. Antonii Tritonii Utinensis, Mythologia

This author uses Ovid's myths to showcase his own medieval Christian beliefs.   The topic "protervi," ["bold, shameful, wanton"] lists women (and one man) who brazenly reject romantic love. Their one connecting attribute--an unapologetic demand for bodily autonomy--is seen as a vice instead of a virtue in the eyes of this medieval author.  

 

THE BOLD

Includes:

• Anaxarete
• Arethusa
• Daphne
• Eperie
• Lotos
• Narcissus 
• Scylla  
• Syrinx

·       ANAXARETE: In the case of her own boldness in regards to love, since she caused her suitor Iphis* to hang himself. But she also paid the penalty for her own boldness, for Venus turned her into a boulder because of this. [cf. Ovid’s Metamorphoses book 14, story 17]

ARETHUSA: a nymph who was deservedly transformed into a spring while fleeing her suitor Alpheus  [book 5, story 17]

DAPHNE: The daughter of the river god Peneus, who never caved in to her suitor [Apollo]. She was transformed into a laurel / bay tree. [book 1, story 9]  

EPERIE: a nymph who while fleeing her suitor Aesacus, was killed by a snake bite.  [book ii, story ii]

LOTOS: running away from Priapus, she was transformed into a tree [book 9, story 6]

NARCISSUS: displayed his boldness when he fled from the nymph Echo’s advances [book 3, story 8]

SCYLLA: a nymph who hid under the waves every time the sea god Glaucus flirted with her. Finally she was transformed into an underwater rock that was dangerous to sailors [book 14, story 1]

SYRINX: an exceedingly pretty Naiad whom Pan loved, who could never shake off Pan’s advances. Because of her boldness, she was transformed into a reed. [book 1, story 12]

* Iphis is a common name in the ancient world; this is not the same Iphis from the myth of Iphis & Ianthe

 --M. Antonii Tritonii Utinenis, Mythologia, 1560

 PROTERVI

• Anaxarete
• Arethusa
• Daphne
• Eperie
• Lotos
• Narcissus
• Scylla
• Syrinx

ANAXARETE Cypria sua protervitate fuit in causa, ut amator Iphis laqueo se strangularet, sed illa quoque protervitatis suae meritas poenas dedit, nam Veneris voluntate in saxum versa est.[lib.xiiii.fab.xvii] 

ARETHUSA nympha Alpheum amantem fugiens merito in fontem abiit. [l.v.f.xvii]

DAPHNE Penei fl[uminis] filia ab Apolline amata nunquam voluit amanti assentiri. unde in laurum versa est [lib.i.fab.ix]

 EPERIE nympha Aesacum amantem fugiens serpentis ictu interiit. [lib.ii.fab.ii]

LOTOS quoque Priapum evitans in arborem transfigurata est. [lib.ix.fab.6] 

NARCISSUS protervus extitit, cum Echo nympham aufugeret. [lib.iii.fab.viii] 

SCYLLA nympha quotiens a Glauco Deo marino blandis vocabatur verbis, toties se sub undas abscondebat, unde in saxum postremo nautis periculosum conversa fuit. [lib.xiiii.fa.i]

SYRINX Naiadum pulcherrima a Pane adamata flecti nunquam potuit, ob quam protervitatem in arundinem fuit commutata [lbi.i.fab.xii]

Remembered Among the Flowers: Claudian, De Raptu Proserpinae 2.128-136

Name:  Claudian Date:   370 – 404 CE  Region:    Alexandria [modern Egypt] Citation: The Abduction of Proserpina, 2.128-136

The loss of Hyacinthus and Narcissus foreshadow Persephone / Proserpina's abduction. 

Together, they [Proserpina and her companions]  gather the flowers, the glory of the fields:

This one weaves lilies with dark violets,

That one decorates herself with marjoram.

Another one strides onwards, crowned with roses, and another is sparkly with white flowers.

This one wears you as well, sorrowful Hyacinthus, with your mournful petals*,

They pluck Narcissus, too:

Once, long ago, you were awesome youths,

But now you are the famous companions of the spring.

You, Hyacinthus, were a son of Amyclae,

But Helicon created Narcissus.

A stray discus killed you, Hyacinthus,

But a water [nymph]’s love led you astray.

The Delian god [Apollo] wears you upon his forehead, Hyacinthus;

And Cephisus mourns your loss, Narcissus, with a broken reed [panpipe].

 

pratorum spoliatur honos : haec lilia fuscis

intexit violis ; hanc mollis amaracus ornat ;

haec graditur stellata rosis, haec alba ligustris.

te quoque, flebilibus maerens Hyacinthe figuris,  

Narcissumque metunt, nunc inclita germina veris,

praestantes olim pueros : tu natus Amyclis,

hunc Helicon genuit ; disci te perculit error,

hunc fontis decepit amor ; te fronte retusa

Delius, hunc fracta Cephisus harundine luget. 

 

 Claudian was born in Alexandria, Egypt during the 4^th century CE. He is one of the best poets of the time period, and he provides a unique perspective as a non-Christian writer in Christian Rome. Many of his works are still extant, including panegyric [official praise literature] for the Roman Emperor Honorius and his general Stilicho, a poem criticizing the eunuch consul Eutropius, and an epic retelling of the abduction of Persephone.

Dangerous Beauty: the Punishment of Narcissus, Conon Narr. 24

Narcissus, Punished for his Asexuality

Name:   Conon Date:    1st century BCE – 1st century CE Region:   Cappadocia [modern Turkey] Citation:  Narrations 24

The myth of Narcissus has numerous forms. In some versions, he is punished for not loving the nymph Echo. In others, he is punished for not loving Aminias. This version shows his punishment for never being romantically interested in anyone.

Narcissus was born in Thespia, a town in Boeotia not far from Helicon. He was exceptionally pretty, but he despised love and boyfriends. Many of his suitors fell into despair; Amainas was particularly eager and lovesick. But when Narcissus didn’t pay attention to him...Amainas begged that the gods would avenge him. Then Narcissus, having caught sight of his own face as it was reflected in the water, became the first and only lover of himself. Finally, in despair, he realized he was being punished for rejecting his lovers, he ended his life. From that time on, Thespians especially honor and revere love, not only in public, but they also make sacrifices in private to love, too. The Thespians also think that the Narcissus flower first rose up in the place where Narcissus’ blood fell.

ἐν Θεσπείᾳ τῆς Βοιωτίας ἔστι δ’ ἡ πόλις οὐχ ἑκὰς τοὺς Ἑλικῶνος παῖς ἔφυ Νάρκισσος πάνυ καλὸς καὶ ὑπερόπτης  Ἔρωτός τε καὶ ἐραστῶν. Καὶ οἱ μὲν ἄλλοι τῶν ἐραστῶν ἐρῶντες ἀπηγόρευσαν, Ἀμεινίας δὲ πολὺς ἦν ἐπιμένων καὶ δεόμενος. ὡς δ’ οὐ προσίετο ἀλλὰ καὶ ξίφος προσέπεμψεν, ἑαυτὸν πρὸ τῶν θυρῶν Ναρκίσσου διαχειρίζεται πολλὰ καθικετεύσας τιμωρόν οἱ γενέσθαι τὸν θεόν. Ὁ δὲ Νάρκισσος ἰδὼν αὐτοῦ τὴν ὄψιν καὶ τὴν μορφὴν ἐπὶ κρήνης ἐνδαλλομένην τῷ ὕδατι, καὶ μόνος καὶ πρῶτ τος ἑαυτοῦ γίνεται ἄτοπος ἐραστής. Τέλος ἀμηχανῶν καὶ δίκαια πάσχειν οἰηθεὶς ἀνθ ὧν Ἀμεινίου ἐξύβρισε τοὺς ἔρωτας, ἑαυτὸν διαχρᾶται. Καὶ ἐξ ἐκείνου Θεσπιεῖς μᾶλλον τιμᾶν καὶ γεραίρειν τὸν Ἔρωτα καὶ πρὸς ταῖς κοιναῖς θεραπείαις καὶ ἰδίᾳ θύειν ἔγνωσαν. Δοκοῦσι δ’ οἱ ἐπιχώριοι τὸν νάρκισσον τὸ ἄνθος ἐξ ἐκείνης πρῶτον τῆς γῆς ἀνασχεῖν εἰς ἣν ἐξεχύθη τὸ τοῦ Ναρκίσσου αἷμα.

In Boetia civitate Thespeia, quae non longe ab Helicone sita est, puer natus Narissus, pulcher admodum, sed amoris amatorumque contemptor. Quare alii quidem despondere animum amantes coeperunt: Aminiasque tantum assiduus erat, & pertinax precator. At cum neque hunc audiret ille...deum vehementer precatus, ultor sibi ut fieret. Narcissus igitur vultum aliquando suum contemplatus, formaeque simulacrum in aqua fontis apparens, & solus & primus incipit caeco sui amore flagrare. Ergo consilii tandem inops, & iustas sese dare poenas arbitratus, quod Aminiam amatorem iniuria laesisset, mortem sibi conscivit. Ex eo, responso dato, ut amor magis honoraretur, colereturque, praeter communem cultum, privatim quoque sacrificare decreverunt. Ea autem incolarum opinio est, primum ex illa terra extitisse Narcissum florem, in quam effusus Narcissi sanguis fuisset. Translated into Latin by  Thomas Gale

Conon [1^st century BCE – 1^st century CE, Cappadocia, modern Turkey] was a Greek mythographer who lived during the reign of Augustus. Although his work, the Narrations, is lost, a summary of it was preserved by the Greek author Photius.

M/M: Be My King: Dionysus & Ampelos, Nonnos, Dion. X.193-216

Name:  Nonnos of Panopolis Date:   4th - 5th century CE Region:  [modern Egypt] Citation:  Dionysiaca 10.193-216

Bacchus hid his immortal form from the youth

And approached him as a mortal, flirting with him

with these words: “Who’s your father?

What immortal womb gave you life?

What Grace raised you? Admit it—Apollo’s your father!

Tell me, darling (amice), don’t hide your lineage.

You act like you’re some wingless Cupid, but without weapons and a bow.

What god courted Venus to create you?

For I hesitate to call Venus your mother,

Since Vulcan or Mars can’t be your father.

Or are you the god they call Mercury?

Then show me your feathers, and the wings on your ankles.

Your long hair flows down your neck, but you don’t have a cithara.

Are you Phoebus, shaking his long wavy hair—but without your signature bow?

If Jupiter is my father, but you are mortal-born,

A short-lived satyr with cow-like horns,

Be king alongside me, equal to equal, a god and a mortal together,

For no one would question your godhood

While you were by my side.

Oh! I recognize your lineage—the one you’re trying to hide!

The Moon herself is your mother, having united with the Sun,

You’re as beautiful as Narcissus. For you have the same

Heavenly form as the moon—you both have horns!”

τὸν μὲν ἔχων Διόνυσος ὁμέψιον, ἁβρὸν ἀθύρων,  
εἴρετο θαμβαλέην προχέων ἐπὶ κάλλεϊ φωνὴν
ὡς βροτός, ἀθανάτην δὲ δολοπλόκος ἔκρυφε μορφήν:

‘Τίς σε πατὴρ ἐφύτευσε; τίς οὐρανίη τέκε γαστήρ;
τίς Χαρίτων σε λόχευσε; τίς ἤροσε καλός Ἀπόλλων;
εἰπέ, φίλος, μὴ κρύπτε τεὸν γένος: εἰ μὲν ἱκάνεις
ἄπτερος ἄλλος Ἔρως βελέων δίχα, νόσφι φαρέτρης,
τίς μακάρων σε φύτευσε παρευνάζων Ἀφροδίτῃ;
καὶ γὰρ ἐγὼ τρομέω σέο μητέρα Κύπριν ἐνίψαι,
μὴ γενέτην Ἥφαιστον ἢ Ἄρεα σεῖο καλέσσω.
εἰ δὲ σύ, τὸν καλέουσιν, ἀπ᾽ αἰθέρος ἤλυθες Ἑρμῆς,
δεῖξον ἐμοὶ πτερὰ κοῦφα καὶ ἔμπνοα ταρσὰ πεδίλων.
πῶς μεθέπεις ἄτμητον ἐπήορον αὐχένι χαίτην;
μὴ σύ μοι αὐτὸς ἵκανες ἄτερ κιθάρης, δίχα τόξου,
Φοῖβος ἀκερσικόμης κεχαλασμένα βόστρυχα σείων;
εἰ Κρονίδης με φύτευσε, σὺ δὲ χθονίης ἀπὸ φύτλης
βουκεράων Σατύρων μινυώριον αἷμα κομίζεις,
ἶσον ἐμοὶ βασίλευε, θεῷ βροτός: οὐ γὰρ ἐλέγξει
οὐράνιον τεὸν εἶδος Ὀλύμπιον αἷμα Λυαίου.
ἀλλὰ τί κικλήσκω σε μινυνθαδίης ἀπὸ φύτλης;
γινώσκω τεὸν αἷμα, καὶ εἰ κρύπτειν μενεαίνεις:
ἠελίῳ σε λόχευσε παρευνηθεῖσα Σελήνη
Ναρκίσσῳ χαρίεντι πανείκελον: αἰθέριον γὰρ
εἴκελον εἶδος ἔχεις, κεραῆς ἴνδαλμα Σελήνης.’

Hunc quidem habens Bacchus consobrinum mollis ludens

querebat admirantem profundens ob pulchritudinem, vocem

tamquam mortalis: immortale v. dolosus abscondebat formam:

"Quis te pater plantavit? Quis caelestis (te) genuit venter?

Que Charitum te enixa? quis (te) aravit pulcher Apollo?

Dic amice, non absconde tuum genus. Siquidem venis

non alatus alter Cupido, telis sine, absque pharetra.

quis deorum te plantavit concumbens cum Venere?

namque ego formido tuam matrem, Cyprin dicere.

Ne genitorem Vulcanum aut Martem tuum dicam, 

sin vero tu, quem vocant ab aethere venisti Mercurius,

ostende mihi pennas leves, et vinas alas talarlium

qui habes intonsam sublimem super cervice comam

nisi mihi ipse veneris sine cithara. sine arcu

phoebus intonsus demissos cincinnos vibrans.

Si vero Saturnius me plantavit. Tu vero terrestri agenere

boum cornua habentium Satyrorum brevis qui sanguine fers,

aequaliter mihi regna deo mortalis, non enim arguet 

caelestem tuam imaginem caelestis sanguis Bacchi

sed quid voco te ex exigua aliqua familia.

Cognosco tuum sanguinem, quamvis tegere studes.

solite peperit concumbens Luna,

Narcisso gratioso prorsus similem. Caelestem enim

consimilem imaginem habes cornutae simulacrum lunae.

tale verbum dixit.

Translated into Latin from the Greek by Eilhard Lubin

Nonnus of Panopolis [4th - 5th century CE] was an Egyptian born Roman citizen who composed the Dionysiaca, a massive 48 volume epic about the life of the god Dionysus.