Aeneas Says Trans Rights: Chloreus, Vergil, Aen.11.768-789

Chloreus, Aeneas’ Gallus Soldier

Name:  Vergil Date:  70 – 19 BCE Region:  Mantua [modern northern Italy] Citation:  Aeneid 11.768 – 784

It happened that Chloreus,

A sacred retired priest of Cybele [1],

Was sparkling conspicuously in Phrygian armor

As they rode their horse onward. Their horse

Was covered in gilded bronze adornments

The way that feathers adorn a bird.

Chloreus was equally conspicuous,

Wearing bright purple armor,

Shooting Gortynian arrows from a Lycian bow.

There was a golden ceremonial bow on their shoulders

And they wore a priest’s helmet, also golden;

They tied their purple cloak with a golden tie;

They even wore pants—how barbaric!—embroidered with a needle.

Camilla spotted them from far away,

And wanted to seize the Trojan armor,

Either to dedicate it as an offering in a temple

Or perhaps she wanted to wear the golden outfit herself.

The Amazon hunter blindly targeted Chloreus   

For single combat, and,

While she burned with a womanly love of treasure

And was caught off guard,

Arruns used the advantage to brandish his weapon deceitfully...

 

[1]  Chloreus is coded as a gallus.

Chloreus, Aeneas’ Gallus Soldier

Forte sacer Cybelo Chloreus olimque sacerdos

insignis longe Phrygiis fulgebat in armis

spumantemque agitabat equum, quem pellis aenis             

in plumam squamis auro conserta tegebat.

Ipse peregrina ferrugine clarus et ostro

spicula torquebat Lycio Gortynia cornu;

aureus ex umeris erat arcus et aurea vati

cassida; tum croceam chlamydemque sinusque crepantis  

carbaseos fulvo in nodum collegerat auro

pictus acu tunicas et barbara tegmina crurum.

Hunc virgo, sive ut templis praefigeret arma

Troia, captivo sive ut se ferret in auro

venatrix, unum ex omni certamine pugnae             

caeca sequebatur totumque incauta per agmen

femineo praedae et spoliorum ardebat amore,

telum ex insidiis cum tandem tempore capto

concitat … 

Vergil, also known as Virgil, [Publius Vergilius Maro; 70 – 19 BCE, modern Italy] was born in Mantua, Cisalpine Gaul, and lived during the tumultuous transition of Roman government from republic to monarchy. His writing talent earned him a place of honor among Maecenas’ fellow authors under Augustan rule. He was friends with numerous famous authors of the time period, including Horace and Asinius Pollio. His former slave Alexander was the most influential romantic partner in his life, and the poet memorialized his love for him under the pseudonym “Alexis” in Eclogue 2. His masterpiece, the Aeneid, tells the story of Aeneas’ migration from Troy to Italy; it was used for centuries as the pinnacle of Roman literature.

M/M: Dying like a flower: Hyacinthus & Euryalus, Servius In Aen. 9.433

Name: Servius Date: 4th – 5th century CE Region: [modern Italy] Citation:   Commentary on the Aeneid, 9.433

9.433: “Like when a purple flower is cut by a plow.” This is the rationale for the comparison:  it is appropriate to compare Hyacinthus to Euryalus, because he was also a very beautiful man and he also turned into a flower when he died.

 

433] PURPUREUS VELUTI CUM FLOS SUCCISUS ARATRO habetur ratio comparationis: videtur enim Euryalo Hyacinthum comparare, qui pulcherrimus fuit et post mortem conversus in florem est 

 Servius [Maurus Servius Honoratus; 4th – 5th century CE] Servius’ name is unfortunately the only thing we know of this author. Little is known about the author or manuscript tradition for the grammatical commentary of Vergil’s Aeneid.

 

Apollo and Venus, United in Grief: a poem by Faustus Sabaeus

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

While Venus and Apollo were wandering through the blossoming fields on Cyprus,

They noticed that the soil had vibrant stars*.

And over here they ran into the Hyacinth flower,

And over there they spotted the red Adonis flower,

Each one beautiful even in death.

Apollo said, “Tell me, sister,  does this land

Gloat over the death of our boyfriends,

Or is the earth weeping alongside us in pain?

This star is my grief, and that star is yours;

This one was Hyacinth, the other was Adonis.”

 

* a metaphor for flower

Dum Venus in Cypro, & Phoebus per prata vagantes

F1orida: habere solum* sidera picta vident:

Dumque Hyacinthus ibi, atque rubens occurrit Adonis:

Pulcher uterque suo funere, Phoebus ait:

Dic soror, haec nostris num exultat amoribus istis?

An luctu & nostro terra dolore gemit?

Hic meus, iste tuus dolor, & gratissimus ignis:

Ille Hyacinthus erat: alter Adonis erat.

 

 Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

 

 

 

Avis Resurgens: A Latin Novella About Caeneus

 Avis Resurgens: Fabula de Caeneo is a 250-word first person short story in Latin on the life and adventures of the trans warrior Caeneus.  The PDF is formatted into booklet form using only two printed pages. It is a story of triumph and trans joy.

M/M: In Honor of Cyparissus; Faustus Sabaeus

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

To the Sun:

Cherish this tree you see before you

upon this shore blossoming with flowers

beside these clear waters.

O Creator of All Things,

Who Knows What Fate holds,

Who Moves the Heavens of each solstice,

I consecrate this tree.

I beg you to defend the Cypress [Cyparissus] 

let neither the heat of summer

nor the ice of winter harm him.

May this beloved tree endure

formerly cherished by you, now even more so cherished by me. 

Ad Solem.

Hanc tibi, quam cernis, radiantem floribus oram,

propter aquae fluvium lucidioris habe.

Consecro, cunctorum o genitor, quae circuit orbis:

quae fati, et variant conscia signa poli.

Solstitiis utrisque, precor defende Cupressum;

ne noceant aestus, ne glacialis hiemis.

arbor enim Chariti nostrae dilecta perennet:

quondam cura tui, nunc mage cura mei.

Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

In Praise of Tiresias: Faustus Sabaeus

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

Fate prophesied that you would transform from a man to a woman;

Then you’d return to being a man, but one without sight.

Tiresias, you were also a judge for the gods, albeit for a trivial dispute

and your reward for the judgment was a punishment.

You were blinded, but you will see it all,

And your punishment will benefit you;

For if it is godlike to know the future, then you are a god.

De mare quod fies mulier: tibi fata minantur,

masque reverteris, sed sine luce, senex.

Tiresia, et iudex superum, de lite iocosa:

Tristia de dulcia praemia lite feres.

Caecus eris, sed cuncta videbis; poenia iuvabit:

si ventura Dei est noscere, Divus eris.

 

 Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

  

Apollo, Unlucky in Love: Faustus Sabaeus

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

While darling Venus was weeping over her slain Adonis,

Pretty Apollo wandered over and told her,

“Oh sister, one loss pains you, but

I suffer twice as much.

Although I appear happy, I am still grieving them.

My darling loves will forever live on,

Daphne, who had too much pride

And Hyacinthus, who had too little luck."

Extinctum preciosa Venus plorabat Adonim;

quum super accessit pulcher Apollo & ait,

Una, soror, te cura angit; me bina remordet,

usque adeo, laetus sim licet, ut doleam.

cari inquam semper vivetis amores,

dura nimis Daphne; fauste Hyacinthe parum.

Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

The Marriage of Iphis & Ianthe: Faustus Sabaeus (1580)

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

 Note: The last line is not published here, as it uses a bodily humor pun 

Iphis was a woman. By hiding in a man’s clothing

Even her father believed she was a man.

Her father promised her in marriage to pretty Ianthe,

A bride for a bride, a woman marrying a woman.

The day of the wedding draws near…

The bride approaches…

Venus was there

And Juno was there 

And Hymen was there...

and Iphis ended up marrying Ianthe.

 

De Iphide

Iphis erat mulier: latitantem in veste virili

vicini, immo pater credidit esse marem.

Deceptus genitor pulcram huic despondet Ianthem:

cum sponsa sponsa ut virgine virgo cubet.

Taede accenduntur: procedit nupta, Cythere,

Et Iuno praesens...et Hymen...

[et] potitur namque Iphis Ianthe.

Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

The Transformation of Iphis: Iohannis Posthius

Name: Johannes Posthius Date:   1537 – 1597 CE Region: [modern Germany] Citation:  Poems Inspired by Ovid’s Metamorphoses, Book 9

 Lygdus ordered his wife to kill their child

If she gave birth to a girl,

But Isis came to her in a vision

While she was in labor

And told her instead to deceive her husband. 

Lygdus named the child after his grandfather Iphis

And then arranged him to marry a woman.

And Isis came to the rescue:

For Telethusa watched in wonder

As her Iphis entered the temple a girl

and left it as a boy. 

Si pareret Lygdo coniunx Telethusa puellam:

Protinus hanc letho clam dare iussa fuit;

Isis sed contra mandat sub imagine somni:

decipiat pariens ut Telethusa virum.

Iphis avus fuerat: suboli dat nomen avitum

Lygdus: et uxorem deligit inde pater.

affert Isis opem: nam quaemodo templa subibat

femina: mox puerum mater abire videt.

Johannes Posthius [1537 – 1597 CE, modern Germany] was a famous German poet and scholar.

M/M: Apollo Mourns Cyparissus

Cyparissus still weeps, mourning his slain stag.

When he saw his lover's limbs covered in bark,

Apollo exclaimed, "O forest, why do you double my pains?

You have my Daphne, you have my Cyparissus."

--Act. Syncerus. Sannazarii, published in Picta Poesis Ovidiana (1580)

Flebat adhuc maerens cervo Cyparissus adempto:

quum sua conspexit cortice membra tegi.

Delius exclamat: quid nostro silva dolore

crescis? tu Daphnen, tu Cyparisson habes.

M/M: Phaeton and Cycnus, Servius In Aen.10.189

Name: Servius Date: 4th – 5th century CE Region: [modern Italy] Citation:   Commentary on the Aeneid, 10.189

“FOR, IT IS SAID, OUT OF LOVE FOR HIS LOVER PHAETON, CYCNUS…”

Commentary: Phaeton was the son of Clymene and the Sun. When Phaeton got upset because Epaphus, the Pharoah of Egypt, told him that he wasn’t the son of the Sun but a bastard, his mother Clymene took him to meet his father.  Phaeton asked the Sun to grant him a wish to prove he was really his son. When the Sun swore on the river Styx that we would grant Phaeton his wish, Phaeton said he wished to drive his chariot, and the Sun could not refuse.  

Phaeton took charge of his father’s chariot, and when he deviated from the Sun’s track, he began to burn up the world. Jupiter shot him down with lightning and Phaeton fell in the Po river.  

His sisters, Phaethusa and Lampetusa, wept over his death until the gods took pity on them and transformed into alder trees.  

Phaeton was also mourned by his lover, a Ligurian named Cycnus, (a man who was endowed with an amazing singing voice by Apollo). Because Cycnus mourned excessively over Phaeton’s death, he was transformed into the bird he shares a name with (a swan). Later on, Apollo turned him into a constellation. His son Cupavo is said to have the feathers of a swan in the crest of his helmet in tribute of his father. 

NAMQUE FERUNT LUCTU CYCNUM PHAETHONTIS AMATI Phaethon Clymenes et Solis filius fuit. qui cum doleret obiectum sibi ab Epapho, rege Aegypti, quod esset non de Sole, sed de adulterio procreatus, duce matre venit ad Solem et poposcit, ut si vere esset eius filius, petenda praestaret. quod cum Sol iurasset per Stygem paludem se esse facturum, petit ille ut eius currus agitaret. Sol post iusiurandum negare non potuit. acceptis itaque curribus Phaethon, cum orbitam solis exisset, et coepisset mundus ardere, a Iove fulminatus in Eridanum cecidit, qui et Padus vocatur. huius interitum flentes sorores, Phaethusa et Lampetusa, deorum miseratione in arbores commutatae sunt, ut hic dicit, in populos, ut in bucolicis, in alnos. fuit etiam quidam Ligus, Cycnus nomine, dulcedine cantus ab Apolline donatus, amator Phaethontis. qui cum eum fleret extinctum, longo luctu in avem sui nominis conversus est. qui postea ab Apolline inter sidera conlocatus est. cuius nunc filium Cupavonem dicit habere cycni pennas in galea ad formae paternae insigne monstrandum. 

--Servius, In Aen.10.189 

Servius [Maurus Servius Honoratus; 4th – 5th century CE] Servius’ name is unfortunately the only thing we know of this author. Little is known about the author or manuscript tradition for the grammatical commentary of Vergil’s Aeneid.

Caeneus as the Stoic Ideal: Plutarch, Compendium Argumenti Stoicos quam poetas absuriora dicere 1057d

Name:    Plutarch Date:      46 – 119 CE Region:    Chaeronea [modern Greece]   Citation:     Compendium Contra Stoicos,1057d

It is important to note that, like Palaephatus, Plutarch rejects the incredulity of Caeneus' bulletproof skin, but not his gender.

Pindar’s portrayal of Caeneus is criticized because: 1)  he is unrealistically portrayed as being bulletproof, 2) he has an invincible body, as well as 3) he was swallowed whole by the earth without a wound, as he “rends the earth with his right foot.” [Pindar fragment 166f / 147f]

But the Stoic Lapith*, equally made of adamantium (a material impervious to detriment) supposedly is free of not only injury, illness, and grief, but also lacks fear and sorrow. He is completely invincible, never yielding to any by force, and if he is wounded, he never suffers pain. Even if he is tortured, even if his homeland is destroyed, this Caeneus never seems to be upset.

* Caeneus was a Lapith [name of a region in Thessaly]

ὁ Πινδάρου Καινεὺς εὔθυναν ὑπεῖχεν, ἀπιθάνως ἄρρηκτος σιδήρῳ καὶ ἀπαθὴς τὸ σῶμα πλασσόμενος, εἶτα καταδὺς ἄτρωτος ὑπὸ γῆν ‘σχίσας ὀρθῷ ποδὶ γᾶν:’ ὁ δὲ Στωικὸς Λαπίθης, ὥσπερ ἐξ ἀδαμαντίνης ὕλης ὑπ᾽ αὐτῶν τῆς ἀπαθείας κεχαλκευμένος, οὐκ ἄτρωτός ἐστιν οὐδ᾽ ἄνοσος οὐδ᾽ ἀναλγής, ἄφοβος δὲ μένει καὶ ἄλυπος καὶ ἀήττητος καὶ ἀβίαστος, τιτρωσκόμενος ἀλγῶν στρεβλούμενος, ἐν κατασκαφαῖς πατρίδος ἐν πάθεσιν, τοιούτοις.

Reprehensus fuit Pindarus, quod Caeneum parum probabiliter finxisset ferro inviolabilem, et corpore quod laedi non posset, terram subiise nullo accepto vulnere, cum "RECTO PEDE SCIDISSET SOLUM."

At Stoicorum iste Lapitha ex adamantina, vacuitatis omnium perpessionum conflatus materia, non vulnerum duntaxat, morborum, dolorum, fingitur expers, sed et metu et moestitia carere, insuperabilis manere, nulli cedere viribus, tum quidem, quando vulneratur, dolores patitur, torquetur, atque adeo etiam in patriae excidio, aliisque Caeneus duntaxat ictus nullo cum vulnere excipit. 

--Translated into Latin by Daniel Wyttenbach, 1832.

 

Plutarch [46 – 119 CE, modern Greece] was a Greek author from Chaeronea, and Roman citizen who lived during the 1st century CE. He had minor governmental and religious administrative roles during his lifetime, but he is best known for his writings. He has numerous philosophical and historical works still extant, including the Parallel Lives, in which he compares the lives of a Roman and Greek statesman for moralistic purposes.

M/M: Achilles Mourns Patroclus; Dictys Cretensis 3.14

Achilles Mourns Patroclus

Name:  Dictys Cretensis Date:   1st – 4th century CE Region:   Crete [?] [modern Greece] Citation: The Trojan War 3.14

Achilles extinguished Patroclus’ ashes with wine and collected his remains in an urn. He had decided to bring Patroclus’ ashes back home with him, or, if his fortune changed, to be buried in the same tomb with the one he loved most of all.

  Isque [Achilles] vino multo sopita iam favilla reliquias [Patrocli] in urnam collegerat, decretum quippe animo gerebat, secum in patrium solum uti adveheret vel, si fortuna in se casum mutaret, una aqtue eadem sepultura cum carissimo sibi omnium contegi.

Dictys Cretensis [1st – 4th century CE] Little is known about the author or circumstances of this work. On the Trojan War is written in the perspective of Dictys, a Cretan veteran of the Trojan War. The version we have today is a Latin translation based on a Greek original from the 1st to 4th century CE. This work heavily influenced Medieval literature and later Latin accounts of the Trojan War.

W/W: Beloved by the Nymphs: Dryope, Antoninus Liberalis Met. 32

Name:  Antoninus Liberalis Date:  2nd – 3rd century CE Region:  Unknown Citation:    Metamorphoses 32

Unlike similar stories involving Artemis /Diana (including Callisto, Aura, Atalanta, etc.), this rape myth does not include any victim blaming or shaming. The hamadryads do not punish or shame Dryope for being attacked, but instead wait until her child is grown before transforming her into a nymph, allowing her to raise her child and experience motherhood.

Dryops (the son of the river god Sperchius and the Danaid Polydora) became ruler in Oeta. He had one daughter named Dryope, who took care of her father’s flocks.

The hamadryad nymphs loved her greatly. They made her their companion wherever they went, and taught her how to sing hymns to the gods, as well as lead the sacred dances.  

When Apollo spotted her, he burned for desire to sleep with her. He transformed himself into a turtle. Dryope picked it up and kept it as a pet. When she had put him in her lap, Apollo transformed from a turtle into a snake. This terrified the nymphs, and they fled, leaving Dryope to her fate. Apollo attacked her.

Terrified of what her father would think, Dryope fled home, but told him nothing about the attack. Later on, she was married to Andraemon (the son of Oxylus), but she had already conceived a child with Apollo. Her son, Amphissus, grew up a well-rounded young man. He established the city Oeta (named after the mountain) and ruled there. He created a temple to Apollo in Dryopis there.

When Dyrope went to the temple, the hamadryad nymphs took her with them, moved by their kind feelings for her.  They hid her in the forest, leaving a poplar tree in her place. In this way Dryope was transformed into a nymph.

Out of respect for the nymphs’ treatment of his mother, Amphissus created a temple for them, and established an annual footrace dedicated to them; these races occur even today. Women are banned from this place, since two maidens told the villagers of Dryope’s whereabouts. This angered the nymphs, and they transformed these maidens into pine trees.

Dryops Sperchii fluvii Filius ex Polydora, una Danai filiarum, regnum obtinuit in Oeta: unicamque habuit filiam Dryopen, quae patris greges pascebat. Sed cum eam summo opere amarent Hamadryades nymphae, suorumque locorum sociam adscivisset, docuissentque carminibus deos celebrare, et choros ducere: Apollo ea visa, concubitus cum ea ardor ipsum incessit. Itaque primum se in testudinem convertis: quam cum, ut rem ludicram, Dryope Nymphaeque tractarent, Dryope eam etiam in sinum conderet, de testudine Apollo in anguem transiit: itaque eam Nymphae territae desuerunt, Apollo cum Dryopa rem habet. Ea autem metus plena in domum patris confugit, nihilque parentibus ea de re indicavit. Post cum eam Andraemon Oxyli filius duxisset, puerum ex Apolline conceptum parit, Amphissum. Hic cum virilem aetatem attigisset, omnibus praevaluit. urbemque ad Oetam condidit, monti isti cognominem, ibique regnavit. Posuit eta Apollini in Dryopide regione templum: in quod cum se contulisset Dryope, Hamadryades benevolentia impulsae ea rapuerunt, et in silva occultarunt, loco eius alno excitata, ac pone alnum fonte. At Dryope, naturae mutatione de mortali facta est nympha. Amphissus, pro meritis Nympharum in matrem, templum ipsis condidit, primusque cursus certamen confecit: quod incolae hoc quoque nostro tempore curant. Mulierem eo accedere nefas est, quod Dryopen a Nymphis sublatam duae virgines incolis indicarunt: quas indignatione motae Nymphae, in abietes mutarunt.

 Translated by Xylander 1832 (Greek text forthcoming) 

 

Antoninus Liberalis [2nd – 3rd century CE] Little is known about the life of the Greek author Antoninus Liberalis. His work, Metamorphoses, is similar to the works of Hyginus in that they provide brief summaries of Greek and Roman myths.

Remembered Among the Flowers: Claudian, De Raptu Proserpinae 2.128-136

Name:  Claudian Date:   370 – 404 CE  Region:    Alexandria [modern Egypt] Citation: The Abduction of Proserpina, 2.128-136

The loss of Hyacinthus and Narcissus foreshadow Persephone / Proserpina's abduction. 

Together, they [Proserpina and her companions]  gather the flowers, the glory of the fields:

This one weaves lilies with dark violets,

That one decorates herself with marjoram.

Another one strides onwards, crowned with roses, and another is sparkly with white flowers.

This one wears you as well, sorrowful Hyacinthus, with your mournful petals*,

They pluck Narcissus, too:

Once, long ago, you were awesome youths,

But now you are the famous companions of the spring.

You, Hyacinthus, were a son of Amyclae,

But Helicon created Narcissus.

A stray discus killed you, Hyacinthus,

But a water [nymph]’s love led you astray.

The Delian god [Apollo] wears you upon his forehead, Hyacinthus;

And Cephisus mourns your loss, Narcissus, with a broken reed [panpipe].

 

pratorum spoliatur honos : haec lilia fuscis

intexit violis ; hanc mollis amaracus ornat ;

haec graditur stellata rosis, haec alba ligustris.

te quoque, flebilibus maerens Hyacinthe figuris,  

Narcissumque metunt, nunc inclita germina veris,

praestantes olim pueros : tu natus Amyclis,

hunc Helicon genuit ; disci te perculit error,

hunc fontis decepit amor ; te fronte retusa

Delius, hunc fracta Cephisus harundine luget. 

 

 Claudian was born in Alexandria, Egypt during the 4^th century CE. He is one of the best poets of the time period, and he provides a unique perspective as a non-Christian writer in Christian Rome. Many of his works are still extant, including panegyric [official praise literature] for the Roman Emperor Honorius and his general Stilicho, a poem criticizing the eunuch consul Eutropius, and an epic retelling of the abduction of Persephone.

Gone, But Not Forgotten: The Undeath of Caeneus, Pindar, fr. 166f / 147 f.

Although it does not mention the transformation aspect of the myth of Caeneus, this version does attest to his invulnerability. 

 Struck by the green pines, Caeneus broke the earth with his foot and disappeared.

ο δε χλωραϊς ελάταισι τυπείς ώχετο Καινεύς σχίσαις ορθω ποδι γαν

Caeneus vero virentibus abietibus percussus abiit, recto pede terra scisa.

--Pindar, fragment 45 (1821; modern number 166f/147f; attested in Schol. Apollon. Argon.I.61); Translated into Latin by Augustus Boeckhius (1821)

 Pindar is a famous Greek poet from Boeotia (modern Greece) known for his victory odes. These odes, for victors of Pythian, Nemean, and Olympic games, are rich in mythological imagery, and help us understand the relationships of the ancient Greeks to their cultural heritage and their understanding of the past. 

Achilles' earrings! Servius, Aen. 1.30

Name: Servius Date: 4th – 5th century CE Region: [modern Italy] Citation:   Commentary on the Aeneid, 1.30

It is said that there’s a statue of Achilles in Sigeum where he wears an earring in his ear just like a woman does.

apud Sigeum Achillis statua fuisse dicitur, quae in lanna, id est in extima auris parte elenchum more femineo habuerit.

Servius [Maurus Servius Honoratus; 4th – 5th century CE] Servius’ name is unfortunately the only thing we know of this author. Little is known about the author or manuscript tradition for the grammatical commentary of Vergil’s Aeneid.

The Avenger of Achilles: Martial, Epig.2.84.1-2

Name: Martial Date: c. 40 – 100 CE Region: Bilbilis, Hispania [modern Spain] Citation: Epigrams 2.84.1-2

Note: Only the first half of the poem is printed here. In the second half, Martial makes an obscene comparison to this myth and one of his peers.

Philoctetes was gay, and openly flirty with men;

This is how Venus avenged the wounds of Paris*.

*In this version of the myth, Paris shoots and kills Achilles, and in turn is slain by Philoctetes' bow.

Mollis erat facilisque viris Poeantius heros:

     vulnera sic Paridis dicitur ulta Venus.

Martial [Marcus Valerius Martialis; 38 BCE – 102 CE, modern Spain] Originally from Bilbilis, Hispania, the poet Martial moved to Rome in the 60s CE to advance his career. His two extant works include de Spectaculis, a collection of poems written to commemorate the opening of the Colosseum, and a fifteen volume collection of epigrams. These poems provide valuable insight into the private lives of Romans from all of the city’s social classes.

The Greeks Honoring the Fallen Amazons: Pausanias, Description of Greece, 1.41.7

 

Name:  Pausanias Date:        110 – 180 CE Region:    Lydia [modern Turkey] Citation:      Description of Greece  1.41.7

Amazons were a varied and complex component of Athenian art and literature. In this passage, Pausanias describes the tomb of the mythical Amazon warrior Hippolyte, who dies of a broken heart when she loses her sister, Antiope. 

Near the monument to Pandion is the monument to Hippolyta; let me tell you about what the Megarians say about it. When the Amazons attacked Athens to avenge the kidnapped Antiope, they were defeated by Theseus. Many of the Amazons died in battle, but Hippolyte, the sister of Antiope and the Amazons’ general, retreated to Megara with the few remaining survivors. Upset by the defeat in battle, and despairing that that she would never return home to Themiscyra again, she died of grief. When she died, the Megarians buried her and made her tomb in the shape of an Amazon shield.

 ὅτε Ἀμαζόνες ἐπ᾽ Ἀθηναίους στρατεύσασαι δι᾽ Ἀντιόπην ἐκρατήθησαν ὑπὸ Θησέως, τὰς μὲν πολλὰς συνέβη μαχομένας αὐτῶν ἀποθανεῖν, Ἱππολύτην δὲ ἀδελφὴν οὖσαν Ἀντιόπης καὶ τότε ἡγουμένην τῶν γυναικῶν ἀποφυγεῖν σὺν ὀλίγαις ἐς Μέγαρα, ἅτε δὲ κακῶς οὕτω πράξασαν τῷ στρατῷ τοῖς τε παροῦσιν ἀθύμως ἔχουσαν καὶ περὶ τῆς οἴκαδε ἐς τὴν Θεμίσκυραν σωτηρίας μᾶλλον ἔτι ἀποροῦσαν ὑπὸ λύπης τελευτῆσαι: καὶ θάψαι αὐτὴν ἀποθανοῦσαν, καί οἱ τοῦ μνήματος σχῆμά ἐστιν Ἀμαζονικῇ ἀσπίδι ἐμφερές

Prope est Hippolytae monumentum, de qua quae Megarenses dicunt, non praetermittam. Quum Amazones ob captam Antiopen bello Athenienses lacessissent, a Theseo superatae sunt. Quumque earum multae in proelio cecidissent, Hippolyten tradunt, Antiopes sororem, cui feminarum ille parebat exercitus, Megara cum paucis aufugisse: ibi quum re mala gesta animum despondisset, praesertim quod se Themiscyram in patriam suam redire posse desperasset, prae animi angore e vita excessisse: sepultam vero eo quo diximus loco, et eius sane monumentum Amazonici clypei formam prae se fert.

 

Translated into Latin by Romulus Amasaeus (1696)

Pausanias [110 -180 CE, modern Turkey] was a Greek writer from Lydia who lived during the era of the “Five Good Emperors.” His work, the Description of Greece, is an important source for geographical, historical, archaeological, and cultural information about ancient Greece.