I am the Unmarried Daphne: a poem from Faustus Sabaeus

Name: Faustus Sabaeus Date: 16th century CE   Region:  Brixia [Brescia, modern Italy] Citation:   Illustrated Myths of Ovid

I am the unmarried Daphne

I am friend to harp and bow [1] 

I provide visions to prophets [2]

I am an imperial honor. [3]

I am always blooming,

I can always repel lightning. [4]

Apollo wears my crown in triumphal ceremonies.

But: what if I hadn’t been so hard-hearted

To the man I rejected

To the man I fled?

I was pretty,

But a stupid girl

And powerless against him.

 

[1]  a reference to the different types of things made from wood from the bay tree 

[2] bay leaves were used in religious ceremonies during divination

[3] in Roman cultures, crowns made of laurel / bay trees were symbols of victory

[4] bay trees were thought to repel lightning

 

--Faustus Sabaeus, Picta Poesis Ovidiania

Innuba sum Laurus: Cytharis & amica pharetrae:

Somnia vaticainans: imperialis honor.

Usque virens, ac usque valens depellere fulmen:

Meque triumphail cinxit honore Deus;

Quem sprevi, & fugi, quid si non dura fuissem?

Pulchra, sed insipiens virgo, et inepta fui.

 

Faustus Sabaeus [16th century, modern Italy] was a librarian of the Vatican library who composed numerous poems on mythology-based themes.

Wilgefortis, Protected By The Beard of Christ [from Acta Sanctorum Mensis Julius]

Hail, Wilgefortis, holy servant of Christ!

You loved Christ with all of your heart

and, when you rejected a marriage to the king of Sicily,

you proved your faith on the Cross.

By your own earthly father’s decree

You endured the tortures of imprisonment,

You grew a beard on your face,

Which you obtained from Christ as a gift

Because you wanted to stop others from wanting to marry you.

Seeing this, your heathen father raised you up

High up on a cross, still wearing your beard

And ready [to die].

Since you had both grace as well as virtue,

As soon as you could,

Your soul fled to Christ’s protection.

O lady,

Because we cherish your memory with solemn praises,

O blessed Wilgefortis,

We beg you to pray on our behalf!

 

--Acta Sanctorum Mensis Julius,  Volume 7, Issue 5 (1748) p. 64 ; (Originally published in Enchiridion praeclarae ecclesiae Sarisburensis, 1533)

 

Ave sancta famula,Wilgefortis,Christi,

quae ex tota anima Christum dilexisti;

dum regis Siciliae nuptias sprevisti;

Crucifixo Domino fidem praebuisti.

Jussu patris carceris tormenta subisti,

crevit barba facie, quod obtinuisti

a Christo pro munere, quod sibi voluisti

te volente nubere sibi confudisti.

videns pater impius te sic deformatam

elevavit arius in cruce paratam.

Ubi cum virtutibus reddidisti gratam

animamque quantocius,Christo commendatam.

Quia devotis laudibus tuam memoriam, virgo, recolimus,

o beata Wilgefortis, ora pro nobis quaesumus.

The Transformation of Iphis

A 16th Century Retelling of the Transformation of Iphis

Name: Johannes Posthius Date:   1537 – 1597 CE Region: [modern Germany] Citation:  Poems Inspired by Ovid’s Metamorphoses, Book 9

Iphis, your father Lygdus betrothed you to Ianthe,

Not knowing that you didn’t have a man’s body.

But Isis came to the rescue:

For your mother Telethusa watched in wonder

As her Iphis entered the temple a girl

And left it as a boy.  

A 16th Century Retelling of the Transformation of Iphis

Iphi tibi Lygdus genitor despondet Ianthen,

Sed nihil heu tete nescit habere viri.

Adfert Isis opem, nam quae modo templa subibas

femina, te puerum mater abire videt.

Johannes Posthius [1537 – 1597 CE, modern Germany] was a famous German poet and scholar.

The Death of Hippolytus & the Rebirth of Virbius, Ovid, Metamorphoses 15.530-546

Name:     Ovid Date:       43 BCE – 17 CE Region:   Sulmo [modern Italy] Citation: Metamorphoses 15.530-546

"You think you can compare your grief to mine, nymph?

I saw the kingdom where no light shines

I soaked my wounded body in the Stygian waves,

And would have died without the intervention of Apollo’s son

Who brought me back to life;

Against He-Who-Rules the Underworld’s wishes

I was revived through Asclepius’ strong medicines

And with the help of Apollo’s skill.

In order to not attract attention to myself

Diana lifted me up into a cloud

And aged my form so I wouldn’t be recognized

In order to keep me safe.

For a while, she debated on whether she should

Give me a new home in Crete or Delos,

But then put me here [in Italy]

And ordered me to change my name

So I wouldn’t be reminded of my old life.

She told me, “You who were once Hippolytus,

Will now be Virbius!”

From that point on, I’ve dwelled in this grove,

One of the minor gods,

Safe under my lady’s protection

I attend her will.”

 

num potes aut audes cladi conponere nostrae,               
nympha, tuam? vidi quoque luce carentia regna
et lacerum fovi Phlegethontide corpus in unda,
nec nisi Apollineae valido medicamine prolis
reddita vita foret; quam postquam fortibus herbis
atque ope Paeonia Dite indignante recepi,               
tum mihi, ne praesens augerem muneris huius
invidiam, densas obiecit Cynthia nubes,
utque forem tutus possemque inpune videri,
addidit aetatem nec cognoscenda reliquit
ora mihi Cretenque diu dubitavit habendam               
traderet an Delon: Delo Creteque relictis
hic posuit nomenque simul, quod possit equorum
admonuisse, iubet deponere "qui" que "fuisti
Hippolytus," dixit "nunc idem Virbius esto!"
hoc nemus inde colo de disque minoribus unus               
numine sub dominae lateo atque accenseor illi.'

Ovid [Publius Ovidius Naso; 43 BCE – 17 CE, modern Italy] was one of the most famous love poets of Rome’s Golden Age. His most famous work, the Metamorphoses, provides a history of the world through a series of interwoven myths. Most of his poetry is erotic in nature; for this reason, he fell into trouble during the conservative social reforms under the reign of the emperor Augustus. In 8 CE he was banished to Bithynia [modern Turkey], where he spent the remainder of his life pining for his native homeland.

M/M: United in Death: Carpos & Calamos

Carpus and Calamus

Name: Servius Date: 4th – 5th century CE Region: [modern Italy] Citation:   Commentary on the Eclogues, 5.48

The story of Calamus is as follows: ancient authors say that the wind Zephyr married one of the Hours, and together they had a very handsome son named Carpus. Calamus, the son of the river god Meander, fell in love with him, and they loved each other intensely. However, when Carpus fell into the Meander river and drowned, Calamus was horrified by his father’s deed and ran away. He begged Jupiter to end his grief and let him die as well, so that he could join his sweetheart in death. Moved to pity, Jupiter ordered Calamus to be transformed into a reed, which is accustomed to bloom around riverbanks. Then he transformed Carpus into the fruit of all things, so he could always be reborn.

Carpus and Calamus

Fabula de Calamo talis est: veteres Zephyro vento unam ex horis coniugem adsignant, ex qua et Zephyro Carpon filium pulcherrimi corporis editum dicunt. Quem cum Calamus, Maeandri fluvii filius, amaret, a Carpo mutua vice etiam ipse adamatus est. Sed Carpos cum in Maeandrum fluvium cadens esset extinctus, Calamus, patrem propter hoc scelus aversatus, aufugit rogavitque Jovem, ut finem suis luctibus daret sibique mortem praestaret, ut amato post obitum iungeretur. Quem miseratione Juppiter ductus in harundinales calamos verti iussit, qui semper circa oras fluminum nasci solent, Carpon vero in fructus rerum omnium vertit, ut semper renasceretur.

Servius [Maurus Servius Honoratus; 4th – 5th century CE] Servius’ name is unfortunately the only thing we know of this author. Little is known about the author or manuscript tradition for the grammatical commentary of Vergil’s Aeneid.

M/M: A Medieval version of the Hyacinthus myth, Hildebert of Levardin 14

Apollo Mourns Hyacinthus

Name: Hildebert of Levardin Date:   1055 – 1133 CE Region: Levardin [modern France] Citation:   #4, Phoebus On the Death of Hyacinthus

Phoebus, being

A god,

A healer,

And a lover,

Trying in vain to stop Hyacinth from dying, said,

“Gods, please spare my boyfriend!

If we cannot both die,

I’d rather follow him in death

Than remain living as a god.

If you won’t allow this,

Let part of both of us remain together

And part of us die together,

And I will come to terms with losing my godhood.

Both of us will happily adjust to losing part of ourselves,

While part of us falls to the underworld together,

The other part of us flying together to the stars.”

Apollo Mourns Hyacinthus

Et deus et medicus et amans, rescindere frustra

tentans Aebalidae funera, Phoebus ait;

“Parcite, di, puero, si non moriatur uterque;

malo sequi puerum quam superesse deum.

Si prohibetis et hoc, sit pars utriusque superstes,

par cadit, ignoscam sic minor esse deo.

Quisque feret laetus propriae dispendia partis,

dum pars ad manes, pars eat ad superos.”  

Hildebert of Levardin [1055 – 1133 CE, modern France] was a famous Christian author and bishop. Although he spent a majority of his life serving in various Church roles in what is now France, his most famous poem is his love poem to the city of Rome, [“Par tibi, Roma, nihil, cum sis prope tota ruina,”] in which he begs for aid to preserve its historical and architectural marvels.

M/M: Gone, but not forgotten: John Tzetzes Analyzes the Deaths of Hyacinthus & Narcissus, Hist. 1.11

Hyacinthus and Narcissus, United in Purpose

Name: John Tzetzes Date:   1100 – 1180 CE Region:    Constantinople [modern Istanbul, Turkey] Citation:     Histories / Chiliades 1.241 – 265

There are countless tales of abduction and transformation in Greco-Roman mythology. Although modern readers see these myths as cautionary tales against predatory behavior, their

primary purpose in the ancient world was an attempt to alleviate grief after the loss of a loved one.  Young people who died before reaching societal milestones of adulthood would be euphemistically married to divinities as a way of handling the grief of their lost potential. There are countless references to young people being “snatched by the nymphs,” or becoming “brides” of Persephone or Hades. In this passage, the Byzantine author John Tzetzes explains how the transformations of Narcissus and Hyacinthus were used to help alleviate the grief of their loved ones.

Hyacinthus was the attractive brother of Cynortus.

He was the son of Amyclus and Diomeda,

From Lacon, the noble land of the Amyclean clan.

Both Apollo and Zephyr often competed for the youth’s affection.

And—they say—once, while Apollo and Hyacinthus were practicing the discus,

Zephyr sent a violent wind, and changed the course of the discus.

It struck the beautiful youth in the head and killed him.

The Earth created a flower in memory of the youth, taking his name,

Mourning his beauty the same way she mourned Narcissus.

But the allegory of Narcissus is apparent:

When the youth fell into the water, he drowned.

As a consolation for their grief,

Those who praised the youth’s beauty

Said he fell in the water, struck by longing for his own beauty.  

Famous transformation tales of plants, of trees of all kinds,

And of constellation myths are similar to this.

The kin of the deceased, transforming their loss,

Name these things after their lost kin.

Just as I’ve stated, they say that the rivals of Hyacinthus [Apollo and Zephyr]

Reveal the extreme beauty of the youth,

Since the Sun reveled in the delight of Hyacinthus,

And the Wind itself also vied for his affection.

When the youth was killed while training with a discus,

They made up a story that the Wind, jealous of the Sun,

Took Hyacinthus away from his life—and from the Sun.  

Hyacinthus and Narcissus, United in Purpose

Ὑάκινθος Κυνόρτου μὲν ἦν ἀδελφὸς ὡραῖος Ὑἱὸς Ἀμύκλου δὲ πατρός, μητρὸς τῆς Διομήδης Ἐκ γῆς ἀνδρῶν τῶν εὐγενῶν Λακώνων Ἀμυκλαίων. Ἀπόλλων δὲ καὶ Ζέφυρος τοῦ μείρακος ἀντήρων. Καὶ δή ποτε δισκεύοντος Ἀπόλλωνος σὺν τούτῳ, Λάβρον πνεύσας ὁ Ζέφυρος τὸν δίσκον περιτρέπει. Τῇ κορυφῇ δὲ τὸν καλὸν πλήξας ἀνεῖλε νέον,

Hyacinthus Cynorti quidem erat frater venustus. Filius Amycli autem patris, matris Diomedae, ex terra virorum nobilium Laconum Amycleensium. Apollo vero et Zephyrus adolescentem certatim deperibant et sane olim disco ludente Apolline cum hoc Vehementer cum efflasset zephyrus, discum circumvertit. Vertice autem pulchrum cum percussisset, occidit iuvenem.

Ἡ γῆ δ ̓ ἄνθος ὁμώνυμον ἀντέδωκε τοῦ νέου, Καθάπερ καὶ τὸν Νάρκισσον οἰκτείρασα τοῦ κάλλους. Ἀλλ’ ἡ Ναρκίσσου πρόδηλός ἐστιν ἀλληγορία, Ὅτι πεσὼν ἐν ὕδασιν ὁ νέος ἀπεπνίγη. Τὸ κάλλος δ ̓ ὑπεραίροντες, πένθους παρηγορία, Φασὶ πεσεῖν ἐν ὕδασι σκιᾶς αὐτοῦ τῷ πόθῳ. Τὸ τῶν φυτῶν δὲ πρόδηλον, ὡς καὶ τῶν δένδρων πάντων Καὶ τῶν ἀστέρων σὺν αὐτοῖς καὶ τῶν ὁμοιοτρόπων. Τῶν γὰρ θνησκόντων ἀγχιστεῖς, τρέφοντες πόθον τούτων, Ἐκεῖνα κατωνόμαζον εἰς κλήσεις τὰς ἐκείνων. Τοῦ ̔Υακίνθου δέ φασιν ἀντεραστὰς οὓς ἔφην Δεικνύντες, ὑπεραίροντες τοῦ νέου τὸ ὡραῖον Ὡς ἔχαιρεν ὁ ἥλιος τρεπόμενος τῷ νέῳ, Καὶ τῶν ἀνέμων αἱ πνοαὶ θέλγητρον εἶχον τοῦτον. Ὡς δὲ σὺν μείρακί τινι δισκεύων ἀνηρέθη

Terra autem florem eiusdem nominis reddidit pro iuvene, quasi Narcissum miserata ob pulchritudinem. Sed narcissi clara est allegoria. Quia cum cecidisset in aquas iuvenis, praefocatus est. Pulchritudinem vero extollentes, luctus solatio. Dicunt cecidisse in aquas, umbrae suae desiderio. Plantarum autem fictio clara, sicut et arborum omnium, et stellarum cum ipsis atque istiusmodi. Morientium enim affines, nutrientes desiderium horum, ista nominarunt nominibus illorum. Hyacinthi autem dicunt rivales, quos dixi, ostendentes excellentem iuvenis venustatem, quod gavisus sit Sol, oblectatus iuvene: et ventorum flatus pro deliciis habuerint hunc. Ut vero cum iuvene aliquo disco ludens interfectus est,

Ἔπλασαν ὡς ὁ Ζέφυρος βασκαίνων τῷ Ηλίῳ Ἐξάγει τοῦτον τῆς ζωῆς καὶ τοῦ λαμπρου φωσφόρου.

vento subvertente in verticem discum, finxerunt quod Zephyrus invidens Soli educit hunc e vita, atque e splendido lucifero.  Translated into Latin by Paolo Lazise

John Tzetzes [1100 – 1180 CE, Constantinople/Byzantium, modern Istanbul, Turkey] was a Byzantine scholar and beaurocrat. He is known for his epic poem the Histories / Chiliades, which ties together topics from Greek and Roman history and mythology, followed by a Christian interpretation.