Marco Antonio Tritonio: Love Comes in All Forms

Reciprocal Love:

Halcyon & Ceyx

Hermaphroditus & Smilax

Orpheus & Euridice

Philemon & Baucis

Progne & Philomela

Pyramus & Thisbe

Sirens & Proserpina

The Sisters of Phaeton

The ancients stated perfectly that friends are merely one soul in many bodies, and that friendship is nothing more than a mutual harmony of souls—so much so that we grieve when a friend grieves, and we rejoice when a friend is happy. Check out the following examples which highlight reciprocal love and kindness:

1. Isn’t the greatest example of matrimonial love Halcyone’s love for Ceyx, for she spotted him drowned in the ocean from far away and leapt into the waves, becoming a halcyon bird? Isn’t the greatest example of love Ceyx’s love for Halcyone, even in death he could feel his transformed wife’s kisses, and was himself transformed into the same type of bird? Don’t we see this mutual love shared among spouses in this couple?  [cf. Ovid’s Metamorphoses book 2, story 10]

2. Hermaphroditus [the son of Venus and Mercury] and Smilax [the nymph of the Salmacian spring] loved each other so much that they are said to have merged into one body. [Cf. book 4, story 2]  

3. Orpheus is known for his love of Eurydice. He descended into the Underworld when he was still alive to restore his dead wife back to life. [book 10, story 1]

4. There was so much spousal love between Philemon and Baucis that they lived a long life together in poverty and never argued. [book 8, story 7]

5. Procne could not live without her sister Philomela. When she found out that her husband had attacked her, she took revenge on her husband and forced him to devour [the body of] their son Itys. [book 6, story 29]

6. The Babylonian couple Pyramus and Thisbe loved each other so much, that Pyramus killed himself when he believed that his Thisbe had died, and Thisbe killed herself with the same sword that he used. [book 4. Story 4]

7. The Sirens held such love for Proserpina that they demanded wings from the gods in order to more easily find Proserpina on land & sea [after she had been abducted]. Because of this, they were transformed into birds, but retained their women’s faces and voices. [book 5, story 16]

8. Phaeton’s sisters wept so many tears when he fell from the sky* that they were transformed into trees. [book 2, story 2]

-- --M. Antonii Tritonii Utinenis, Mythologia, 1560 p. 8-9

Amor Aliquorum Mutuus.

Halcyon & Ceyx

Hermaphroditus & Smilax

Orpheus & Euridice

Philemon & Baucis

Progne & Philomela

Pyramus & Thisbe

Sirenes, et Proserpina

Sorores, et Phaeton

 Praeclare veteres dixerunt amicos esse tanquam unam animam in pluribus corporibus, nihil enim aliud est amicitia, quam mutuus quidam animorum consensus, adeo ut cum dolentibus amicis doleamus, cum gaudentibus laetemur, quare optime fabulosa haec exempla sunt perpendenda, quae nobis mutuum aliquorum amorem & benevolentiam demonstrant.

1. Nonne maximus fuit Halcyonis in Ceycem maritum amor, si longius illum in aequore submersum prospiciens ac in medias undas prosiliens in Halcyonem avem conversa est? Nonne maxima ipsius Ceycis in coniugem benevolentia, si vel mortuus uxoris in avem commutatae sentiebat oscula, cuius etiam cadaver in eiusdem generis volucrem fuit transmutatum? in quibus adhuc servatam inter coniuges benevolentiam perspicimus [lib.ii.fab.x]

2. Hermaphroditus Veneris & Mercurii filius & Smilax Salmacis fontis nympha ita mutuo se dilexerunt amore, ut e duobus corporibus in unum commutati dicantur.[lib.iiii.fab.ii]

3. Amor etiam Euridices, et Orphei notus est, is enim vivus ad inferos descendit, ut mortuam coniugem ad pristinam vitam & incolumitatem reduceret. [lib.x.fab.i]

4. Inter Philomonem, & Baucidem coniuges tanta fuit benevolentia, ut pauperitatem suam patienter ferentes sine ulla rixa longam traduxerint aetatem. [lib.viii.fab.vii]

5. Progne, sine sorore Philomela vivere non poterat, cumque illam a marito Tereo stupratam cognovisset, ut pro sorore de marito vindictam sumeret, illi proprium filium Ityn devorandum apposuit. [lib.vi.fab.xxix.]

6. Pyramus & Thibse Babylones tanto se mutuo prosecuti sunt amore, ut cum Pyramus amicam credens mortuam seipsum interfecisset, Thisbe amantem mortuum nacta eodem se gladio traiecerit. [lib.iiii.fab.iiii]

7 Syrenes tanto amore Prosperinam sunt prosequutae, ut a Diis alas flagitarent, quo facilius Proserpinam terra, marique possent inquirere. Quare ita in aves fuere conversae, ut facies tamen virginea, voxque humana remanserit. [lib.v.fab.xvi.]

8 Sorores Phaetontis fratrem coelo delapsum tot lacimis deplorarunt, ut in arbores demum sint commutatae; tantus inter fratrem, et sorores amore extitit. [lib. ii. fab.ii]

  

 

Love Shakes Me to the Core: Sappho 47

Name: Sappho Date: d. 570 BCE Region: Lesbos [modern Greece] Citation: Fragment 47

Love shook my heart

the way the wind strikes the trees on the mountaintop.

 Ἔρος δ᾿ ἐτίναξέ μοι

φρένας, ὠς ἄνεμος κὰτ ὄρος δρύσιν ἐμπέτων.

Amor animum meum quatit, velut

ventus quercos in montis summo impulit.

Sappho [d. 570 BCE, modern Greece] was universally applauded by the ancient world as the “Tenth Muse.” Because she was one of the earliest Greek lyric poets, there is very little definitive information on Sappho’s life.  It is generally agreed that Sappho was a wealthy noblewoman from the island of Lesbos who had three brothers and a daughter named Kleis. She used her prominent social position to support a cohort of other women artists, and composed many poems about them, expressing her love for them, praising their beauty, and celebrating their marriages. Whereas earlier Greek poetry was epic poetry with serious themes of gods, warfare, and the state, Sappho’s lyric poetry was emotional, intimate and personal. Her poetry centered around womanhood and womanly love, providing rare insight into the time period. The modern terms “sapphic” and “lesbian” reveal the longevity of her impact upon modern culture. Unfortunately, although her poetry was universally revered by the Greeks and Romans alike, Sappho’s works only exist as fragments, adding mysterious allure to her larger-than-life status but unfortunately hindering our understanding of her life and thoughts.

Off Limits: A Friend's Advice on Love, Plautus Curculio 35-38

Off Limits: The Ultimate Dating Guide to Ancient Rome

Name:  Plautus Date:  254 – 184 BCE Region:  [modern Italy] Citation:  Curculio 35 - 38

In the play Curculio, Palinurus offers Phaedromus advice on navigating dating in Rome. This offers insight into Roman customs on who was eligible for romance (i.e., single adults) and who was off limits (i.e., married people and children).

 Nobody’s going to stop you from walking down a public street, 

But don’t step on anybody else’s metaphorical lawn.

As long as you stay away from a bride, a widow, a young woman,

A young man, and freeborn children, you can love whomever you’d like.

 

 
Latin Text: 

Nemo ire quemquam publica prohibet via;

dum ne per fundum saeptum facias semitam,

dum te abstineas nupta, vidua, virgine,

iuventute et pueris liberis, ama quid lubet.

Plautus [Titus Maccius Plautus; 254 – 184 BCE, modern Italy] was one of the earliest Roman authors that remain extant. He was born in northern Italy in the 3^rd century, and spent the entirety of his life in and around the stage. Although many of his works are lost, we have nearly two dozen of his comedies still extant. The impact of Plautus is still seen today; his works were the basis for the famous musical A Funny Thing Happened On the Way to the Forum.

Two Bodies, One Mind United In Love and Friendship: Lucian, Toxaris 62

 

Two Bodies, One Mind United in Love and Friendship

Name: Lucian Date: 125 – 180 CE Region: [modern Turkey] Citation:  Toxaris, or Friendship 62

Lucian uses imagery from the myth of soulmates in Plato's Symposium in his dialogue Toxaris.  In this dialogue, the Scythian Toxaris and the Greek Mnesippus discuss their own culture's perspectives and beliefs on friendship. The dialogue ends with the following speech, which unites the two in a bond of love and friendship.  

 

You know how you seem to think that friendship is great?

Well, I too think that there is nothing else better or more beautiful than friendship!

So why not unite ourselves together as friends?

We can both be winners!

From this day forward, we can love one another forever, and both of us can receive the greatest benefits from it. 

Instead of one tongue and one right hand, we can now have two!

We now can have four eyes and four feet and everything else is doubled, too!

You know how authors depicted Geryon, a person with six hands and three heads? Well, that’s how it goes when two (or even three!) friends come together, doing everything together synchronously, divinely united in friendship! 

ἐπεὶ δὲ καὶ σὺ φιλίαν ἐπαινεῖν ἔδοξας, ἐγὼ δὲ οὐδὲν ἄλλο ἡγοῦμαι ἀνθρώποις εἶναι τούτου κτῆμα ἄμεινον ἢ κάλλιον, τί οὐχὶ καὶ ἡμεῖς συνθέμενοι πρὸς ἡμᾶς αὐτοὺς φίλοι τε αὐτόθεν εἶναι καὶ εἰσαεὶ ἔσεσθαι ἀγαπῶμεν ἄμφω νικήσαντες, τὰ μέγιστα ἆθλα προσλαβόντες, ἀντὶ μιᾶς γλώττης καὶ μιᾶς δεξιᾶς δύο ἑκάτερος ἐπικτησάμενοι καὶ προσέτι γε καὶ ὀφθαλμοὺς τέτταρας καὶ πόδας τέτταρας καὶ ὅλως διπλᾶ πάντα ;

Aut si hoc crudele, quando tu amicitiam admirari visus es: ego nihilo secius puto, nullam esse mortalibus possessionem hac praestantiorem neque pulchriorem: quin ipsi quoque; in unum copulati, illud approbamus: ut ex hoc die in totam usque vitam simus amici, utrique, victores, utrique maximis potiti praemiis: videlicet pro unica lingua, unaque dextra, binas uterque habituri, atque insuper oculos quoque quaternos, pedesque quaternos,

τοιοῦτόν τι γάρ ἐστι συνελθόντες δύο ἢ τρεῖς φίλοι, ὁποῖον τὸν Γηρυόνην οἱ γραφεῖς ἐνδείκνυνται, ἄνθρωπον ἑξάχειρα καὶ τρικέφαλον ἐμοὶ γὰρ δοκεῖν, τρεῖς ἐκεῖνοι ἦσαν ἅμα πράττοντες πάντα, ὥσπερ ἐστὶ δίκαιον φίλους γε ὄντας.

in summa, duplicia omnia eiusmodi namque quiddam est: cum duo tresque copulantur amici, qualem Geryonem scriptores depingunt, senis manibus, ternisque capitibus hominem. Siquidem (ut mea fert opinio) tres illi fuerunt, qui communiter omnia gererent: ut dignum est his, qui amicitia coniuncti sunt.  Translated into Latin by Desiderius Erasmus

Lucian [Lucianus Samosatensis; 125 – 180 CE, modern Turkey] was a Roman satirist from Samosata [modern Turkey] who wrote in ancient Greek. His works are a mixture of sarcasm, wit, and biting social criticism. He is without a doubt one of the most popular authors of the later Roman empire.

M/M: Polyptoton: Anacreon fr. 359

Name: Anacreon Date:  582 – 485 BCE Region:  Teos [modern Turkey] Citation: Fragment 359

Polyptoton is a rhetorical device where the same word is used throughout a passage, but in various noun cases. In this fragment of Anacreon, the poem's subject Kleoboulos / Cleoboulus is used in the genitive, dative, and accusative case. 

I yearn for Kleoboulos!

I’m crazy about Kleoboulos!

I gaze upon Kleoboulos!

Κλουβέλου μεν έγωγή ερεώ

Κλευβέλω δ έπι μαίνομαι

Κλεύβαλον δε διοσκεώ.

 

Cleobouli amore uror!

Cleoboulus me furit!

Cleoboulem contueor!

 translated into Latin by K. Masters 

Anacreon was a Greek poet who lived during the 6th century BCE. He was born in Teos (modern Turkey) during a period of intense conflict between the Ionian and Persian forces, and did not remain in his homeland for long. Sources indicate that he found success and fame for his poetry in Samos and Athens, but little is known about his life beyond anecdotes written hundreds of years after his death.  His poetry was exceedingly popular, to the extent that an entire genre of poetry was dedicated to his style of writing; the Anacreonta are a collection of poems written in imitation of his writing style composed by Greek authors throughout the centuries. Despite Anacreon’s immense popularity and influence on literature, only fragments remain of his poetry today.

 

Love Potion No. 9: PGM 32.1-11

 Like Pompeiian graffiti, recovered papyri are an excellent source for voices otherwise lost to history. There are numerous examples of magical spells in the ancient world, with topics ranging from wishes, curses, and love spells.  The following papyrus fragment preserves a love spell that asks to attract one woman to another.

Evangelos, I beseech you! By Anubis, by Hermes, by all others Below,

I bid that you bind Sarapias, daughter of Helen,

To Herais, daughter of Thermoutharin.

Now! Now! Now! Bind her, heart and soul,

This Sarapias, whom Helen birthed from her womb!

ADIURO TE, EVANGELE,

PER ANUBEM PER MERCURIUM ET PER DEOS MANES

UT SARAPIAM, QUAM HELENA PEPERIT,

HUIC HERAIDI, QUAM THERMOUTHARIN PEPERIT,

CAPTES ET VINCIAS

CITO CITIUS CITISSIME!

ANIMO SUI ANIMAQUE, CAPTES

IPSAM SARAPIAM, QUAM HELENA SUO VENTRE PEPERIT!

ΕΞΟΡΚΕΙΖΩ ΣΕ, ΕΥΑΓΓΕΛΕ,

ΚΑΤΑ ΤΟΥ ΑΝΟΥΒΙΔΟΣ ΚΑΙ

ΤΟΥ ΕΡΜΟΥ ΚΑΙ ΤΩΝ ΛΟΙΠ ΩΝ ΠΑΝ

ΤΩΝ ΚΑΤΩ, ΑΞΑΙ ΚΑΙ ΚΑΤΑΔ-

ΗΣΑΙ ΣΑΡΑΠΙΑΔΑ, ΗΝ ΕΤΕ-

ΚΕΝ ΕΛΕΝΗ, ΕΠ’ ΑΥΤΗΝ ΗΡΑ-

ΕΙΔΑΝ, ΗΝ ΕΤΕΚΕΝ ΘΕΡΜΟ-

ΥΘΑΡΙΝ, ΑΡΤΙ, ΑΡΤΙ, ΤΑ-

ΧΥ ΤΑΧΥ.  ΕΞ ΨΥΧΗΣ ΚΑΙ ΚΑΡΔΙΑΣ

ΑΓΕ ΑΥΤΗΝ ΤΗΝ ΣΑΡΑΠΙΑ-

ΔΑ, ΗΝ ΕΤΕΚΕΝ [ΕΛΕΝΗ] ΕΙΔΑ ΜΗΤΡΑ…

--PGM 32.1-11; Translated into Latin by K. Masters

 The Papyri Graecae Magicae are a collection of texts that deal with magical topics. This spell, PGM 32, is from the 2^nd century CE. 

Some Poems on Love from the Codex Salmasianus

 263. De Hippolyto et Phaedra

Pudor* can prevail over lies;

But even chaste and innocent blushing

Vincere falsa pudor poterat; sed castus et insons

Erubuit Phaedrae vincere falsa pudor.

Blushed at Phaedra’s lies.

[*Pudor is a complex term that is difficult to translate. It is anything from a person's sense of self worth and self respect, a person's physical chastity, or an emotional response to impiety (e.g., blushing)]

264. De tumulo Achillis

Love kindles strife

To burn lovers more enticingly

To [reach] the ultimate sign of devotion.

Iurgia conflat amor, ut blandius urat amantes,

Ad cumulum fidei iurgia conflat amor.

265. De Niso & Euryalo

The name of friendship must be cherished with great responsibility;

The greatest part of life is the name of friendship.

Nomen amicitiae magna pietate colendum est

Maxima pars vitae est nomen amicitiae.

266. Item, unde supra

Dear mind, when you are loved, love back!

It is rare to find friends,

It is rare to keep them.

Dear mind, when you are loved, love back.

Mens, ubi amaris, ama; rarum est agnoscere amicos;

rarum servare <est>. Mens, ubi amaris, ama.

--Codex Salmasianus #263 - 266

The Codex Salmasianus is a manuscript of Latin poetry that preserves poetry from 6^th century CE and earlier. It was named after Claude de Saumaise, a 17th century scholar who owned the manuscript. 

The Flowers of Venus: Nossis, Greek Anthology 5.170

Kisses Sweeter than Honey

Name:   Nossis Date:      3rd century BCE Region:  Locris [modern Italy] Citation:      Greek Anthology 5.170

Nothing is sweeter than love; even the sweetest things

Are second to it. Even honey

I have spit out of my mouth—it is not sweeter.

I, Nossis, declare, “Unless Venus has kissed someone,

They would not know what flowers she has, what type of roses.”     

ἅδιον οὐδὲν ἔρωτος, ἃ δ᾽ ὄλβια, δεύτερα πάντα ἐστὶν ἀπὸ στόματος δ᾽ ἔπτυσα καὶ τὸ μέλι. τοῦτο λέγει Νοσσίς: τίνα δ᾽ ἁ Κύπρις οὐκ ἐφίλασεν, οὐκ οἶδεν κήνα τἄνθεα ποῖα ῥόδα.

Dulce magis quid amore? cui suavissima cedunt, osque meum potius melle carere velim. Sic Nossis sentit, Venus, hoc, si quem oderit alma, nesciat, ast roseo flos huius est similis. Translated into Latin by Christian Wolff

Nossis [3^rd century BCE, modern Italy] was considered among the famous nine women poets of ancient Greek literature. She lived in Locris (southern Italy) during the 3rd century. Several of her poems are preserved in the Greek Anthology. Like that of her literary predecessor Sappho, Nossis’ poetry provides great insight into the lives of women in the ancient world.

W/W: Love, You Bittersweet Beast! Sappho fr. 38

Name: Sappho Date: d. 570 BCE Region: Lesbos [modern Greece] Citation: Fragment 38

Limb-shredding Love has turned against me,
Love, you invincible & bittersweet beast!

Ἕροσ δαὖτέ μ᾽ ὀ λυσιμέλεσ δόνει,
γλυκύπικρον ἀμάχανον ὄρπετον.

Amor autem me artuum dissolutor versat, 
dulciamara [belva] inexpugnabilis.

Sappho [d. 570 BCE, modern Greece] was universally applauded by the ancient world as the “Tenth Muse.” Because she was one of the earliest Greek lyric poets, there is very little definitive information on Sappho’s life.  It is generally agreed that Sappho was a wealthy noblewoman from the island of Lesbos who had three brothers and a daughter named Kleis. She used her prominent social position to support a cohort of other women artists, and composed many poems about them, expressing her love for them, praising their beauty, and celebrating their marriages. Whereas earlier Greek poetry was epic poetry with serious themes of gods, warfare, and the state, Sappho’s lyric poetry was emotional, intimate and personal. Her poetry centered around womanhood and womanly love, providing rare insight into the time period. The modern terms “sapphic” and “lesbian” reveal the longevity of her impact upon modern culture. Unfortunately, although her poetry was universally revered by the Greeks and Romans alike, Sappho’s works only exist as fragments, adding mysterious allure to her larger-than-life status but unfortunately hindering our understanding of her life and thoughts.